"2ND" ~ Press Selections
“There's dance music, which aims to set the body in motion, and then there's the now-ubiquitous scourge of “chill,” ambient music’s corporate descendant that guides the body to a state of rest and/or productive concentration. Queens-based songwriter Grace Ives maps her music to a third coordinate. Her new album 2nd is restless, seeking neither catharsis or sedation but instead exploring the gradations of thrumming anxiety.”
-Sasha Geffen for Pitchfork
“2nd is incredibly fun and catchy. The dance-ready tracks are short and sweet, most clocking in at under two minutes. All but two of them were written around a Roland MC 505 beat, giving way to a distinctly M.I.A. flavoring with the quirky tones chosen instrumentally. “Butterfly” in particular reminds me of killer Arular singles like ‘Galang’ or ‘Bucky Done Gun.’”
-Keely Quinian for Stereogum
“A 12 track album clocking in at 22 minutes, 2nd is an exercise in pared down pop, each vignette effortlessly entertained before darting off feverishly, a collection of sketches much like The Residents’s Commercial Album. Despite it’s fleeting length, there’s a rich spectrum of flavours and guises which showcase Ives’s many dimensions, but never at the compromise of her laconic punch.”
Grace Ives never pursued music in the traditional sense like many of her peers. Instead, it followed her like a common thread that connected her various dwellings over the past few years. Whether living in Brooklyn with her parents, or in Baltimore while briefly studying at MICA, or the three years following at SUNY Purchase, Grace made music irrespective of setting or ambition. She made pop songs inspired by the sounds of Brittany Spears and Rihanna while surrounded by “punk-er” friends in Maryland, bought and MC 505 to emulate the sound of MIA while surrounded by guitar noodling when the cult of Mitski still loomed large over the SUNY Purchase campus, and opened so many shows to audiences of one, maybe two, that she cannot even think to count. But along the way she won people over, almost literally one-by-one, until audiences began to grow in number. Now, living in Astoria, Queens, Ives regularly leaves home with a blue Ikea bag full of her musical equipment to play shows all over the metro area—to audiences of increasingly insatiable fans.
As for her writing process, her melodic ideas simply do not leave her alone. She is always singing. Much of her work stems from simple and relatable nuggets of experience. It is almost as if putting her thoughts to a melody are a way of processing the world as she sees it unfold around her. These humble origins of her ridiculously catchy songs are, she says, result of a “keep it simple, stupid” approach, one that she pulls off with the fire-y confidence of artists such as Bratmobile or Minutemen.
As Grace would have it: “I’m a man of few words, or just the same words over and over again. Everything about me is very laid back, my music is just supposed to be fun, danceable. I write songs so that they get stuck in people’s heads. I follow a formula. Butterfly is two notes, Mansion is six. I’m trying to keep it minimal, just so I can get this idea out and listen to it. I just try to crank these out, not so I can do something else, like sleep, drink, or go to a party, but so I can do more. I’m relatable, I shop on a budget, I’m your friend, and I want to write songs for you… to dance to. And I’m a great cook—I make a killer bolognese.”
credits
releases April 22, 2019
2nd
An album written & performed by Grace Ives.
Produced by Grace Ives.
Engineered & Mixed by Grace Ives, Tom Moore, Tael, & Jesse Paller.
Mastered by Sarah Register, 2019.